I found myself in the premises of an Old School campus in Clerkenwell, on a Thursday afternoon, for a 15 minute interview.
A volunteer opportunity for this year's London Jazz Festival at the Producers.
15 minute is short to tell 2 people a story about why you want a job for free, how to ace an interview with very little relevant experience (in hindsight, I could've listed lots more) , so I injected them with passion. My little mind ticking everytime I am in a theatre, what kind of shows will get bums on seats, whether modernisation of classical sets were the way to go, how much to pay artists, attract talent, marketing. The bottom line of my thoughts, I told them, is because I was trained as an accountant. I also said I played the saxophone, and that got their attention, and had their colleague to come in and let me in on their latest project...
Fast forward to Wednesday afternoon - 26th October, I found myself in the Portico rooms of Somerset House. In Concert Musician Black. With a room of other saxophonists. There were chatter, everyone was unloading boxes.
Real cool. We filled in the forms, got paid, and filed into the room which looked like a setting for a press conference - with London 2012 logo and many of the sponsors too. We were to pose, but not play. How to stop horn players from tooting away? Some chose to not insert a reed. Some had their mouthpiece covers on. I came prepared with earplugs from Deafness Research charity that I had been volunteering that morning, thinking there will be musicians letting loose. But it didn't happen.
in the drizzle, we went down into the courtyard - and were asked to form into a shape of the union jack. 'The Asian lady, stand here'...the photographer hollered from the balcony..yes, who else but me. I got into position, looked up, no one asked to smile. Tried to look natural. Same as everyone else.
There were a few other poses. inside, on the stairs. Photographers wanted to know how many girls were there - we were certainly in the minority and had to be mixed around to provide variety to the mix. Diversity as a theme of the Olympics I reckon.
the stairwell , im 3rd up on the left on the stairs. some saxophonists refused to dangle their horns over the railings - these were precious instruments. |
We finished off with a final shot outside looking like we were playing behind water - being the River of Music theme.
We then were dismissed - back in the room, undid our mouthpieces, commented on the niceness of each other's horns, how they got into this photoshoot, and what they are going to do with the money. An assembly of players on a weekday afternoon, and who would be free to do this? Only when opportunity presents itself unexpectly.
A day later, some of these pictures were to appear in the press release and further photos. Spot me - pretty obvious I would think! :)
Andy Shepherd (front left) is going to hold an event with 200 saxophonists closer to the Olympics and we would be notified in due course...it would be interesting as it was absolute torture for almost 30 players to gather that day and not make music. It would've been a good jam session.
I didn't get the volunteer role at the London Jazz Festival this year. Which means I will now make my impact as the audience again, analytical mind ticking, wondering how many bums on seats and which ones would've emptied out halfway before the show is done. Perhaps this will free me up for better things that are coming this way?